edited by Alfian Sa’at, Faris Joraimi, Sai Siew Min
Preorder runs from 4 January to 29 January.
- All preorder copies will be autographed by the editors
- Free ebook for every purchase of the preorder
- Receive your book before the launch if you preorder before January 15
- (All tickets for the launch have been taken. You can still catch the launch online, on the Ethos Books Facebook page on 30 Jan, 4PM)
Support Wild Rice and Ethos Books when you purchase a bundle of Raffles Renounced + Merdeka / 獨立 / சுதந்திரம் Video-on-Demand.
Drawing upon a wealth of historical documentation, including speeches, newspaper articles, petitions and songs, “Merdeka / 獨立 /சுதந்திரம்” confronts us with questions about our colonial past and how it still echoes through our present and into our future. Written by Alfian Sa’at in collaboration with Neo Hai Bin, this provocative and moving new play examines how our history and humanity have been shaped – and shattered – by the forces of colonialism.
You will receive a unique link that will be available till January 31. Once the link is activated, it will be available for viewing for 48 hours.
The link and the complimentary ebook will be sent 1 working day after your order.
Why did independent Singapore celebrate two hundred years of its founding as a British colony in 2019? What does Merdeka mean for Singaporeans? And what are the possibilities of doing decolonial history in Singapore? Raffles Renounced: Towards a Merdeka History presents essays by historians, literary scholars and artists which grapple with these questions. The volume also reproduces some of the source material used in the play Merdeka / 獨立 / சுதந்திரம் (Wild Rice, 2019). Taken together, the book shows how the contradictions of independent nationhood haunt Singaporeans' collective and personal stories about Merdeka. It points to the need for a Merdeka history: an open and fearless culture of historical reckoning that not only untangles us from colonial narratives, but proposes emancipatory possibilities.
About the Editors
Alfian Sa’at is the Resident Playwright of Wild Rice. His plays with Wild Rice include Hotel (with Marcia Vanderstraaten), The Asian Boys Trilogy, Cooling-Off Day, The Optic Trilogy, Homesick and Merdeka / 獨立 / சுதந்திரம் (with Neo Hai Bin). He was the winner of the Golden Point Award for Poetry and the National Arts Council Young Artist Award for Literature in 2001. His publications include Collected Plays One, Two, and Three; poetry collections One Fierce Hour, A History of Amnesia and The Invisible Manuscript; and short-story collections Corridor and Malay Sketches.
Faris Joraimi is pursuing his BA(Hons) in History at the Yale-NUS College. His research interests lie in the narrative traditions, cultural politics and intellectual history of the Malay world. He hopes to pursue graduate studies and explore ways in which texts and their materiality reflect broader processes of exchange, circulation and consumption in the early modern Nusantara. He has written for a number of platforms, including s/pores, Mynah Magazine, New Naratif, Karyawan, Passage, Budi Kritik and 天下 (Commonwealth Magazine, Taiwan).
Sai Siew Min is a Taipei-based Singaporean historian who researches Singapore, Malaysia and Indonesia with a focus on imperial formation in Southeast Asia, the cultural politics of colonialism and nationalism, language, race and Chineseness. She is a founder member of the s/pores collective. Her essays on historiography in Singapore have appeared online in s/pores: new directions in Singapore Studies. Her academic writings have appeared in the Journal of Imperial and Commonwealth History, Journal of Southeast Asian Studies, Journal of Chinese Overseas, Inter-Asia Cultural Studies. She is also co-editor of the book Reassessing Chinese Indonesians: History, Religion and Belonging.
Alfian Sa’at • Neo Hai Bin • Hong Lysa • Huang Jianli • Sai Siew Min • Faris Joraimi • Azhar Ibrahim • Nicholas Lua • Jimmy Ong • Joanne Leow
"Inspired by the Singapore Bicentennial, Raffles Renounced is an essential read for anyone interested in the intentions behind the construction of the stories we tell ourselves, about ourselves, stories that have now assumed the status of fact. It explores the political currents that have shaped such stories, and the manifold ironies and gaps inherent in their telling.
The book raises questions I never thought to ask about Singapore, and provides frameworks that give coherence to previously inchoate dissonance: 1819 is commemorated, not 1959; the contemporary winners and losers of the deep legacy of colonialism; We ourselves as Colonials."
—Tan Pin Pin, Director of documentaries To Singapore, With Love and Invisible City
“An important collection of essays and documents that topples the familiar monuments of the Singapore Story from their colonial pedestals, permitting a proliferation of new or recovered stories that reach far beyond the ‘founding’ of 1819 or the anguish of 1965. The essays in Raffles Renounced, and the artistic and critical practices they enact or describe, open up possibilities of new Singaporean stories that confront the trauma of the colonial past and its legacies, and yet which foster introspection, healing, and new connections in the present.”
—Philip Holden, Scholar of Singapore and Southeast Asian Literature
“Raffles Renounced makes a rich and provocative intervention to debates on how to remember, re-read, and rethink the colonial and the decolonial, bringing multiple voices and perspectives to bear from history and historiography, literature, the performing arts, communities, and archives. By placing historical material alongside art, scholarship, and performance, it strikes up a lively conversation of enormous and enduring value for Southeast Asian and Singapore studies, and beyond them, the study of colonialism, post-colonialism, and contemporary state-making.”
—Iza Hussin, University of Cambridge
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ISBN: 978-981-14-2038-2 (paperback) | 978-981-14-9023-1 (e-book)
Published: January 2021
Dimension: 150mm x 220mm